Saturday, April 28, 2018

Rosellas - a great garden plant

Rosellas



Growing up in Queensland I can remember my Mother growing Rosellas in the garden mainly for making jam from the red fleshy calyx or "fruit" that holds the green seed pod in its centre. I found my seedling at the Sydney Wildflower nursery in the native food plant section, although while many think it is native to Australia, like a lot of us it is an immigrant that has been around so long it is an "Aussie".  
​Very fast growing, in three months it was fully grown, nearly 2 mtrs high and fruiting, it is an annual and will die off in winter.
​Have been experimenting with cooking, only with the calyx to date but the whole plant is edible or usable young leaves as a green vegetable, the seed apparently can be ground into a flour and the fiberous stalks made into string. I made jam with the first light crop. Fairly simple remove the red calyx from the green seed pod, discard the seed pod and simmer the red flesh in a small amount of water, when tender add equal quantity of sugar and boil until setting point. Some recipes suggest that the seed  pods should be boiled to extract pectin and some of the water then added to the calyx pot to aid setting. Alternatively add lemon or commercial pectin. I found that this first set without any extra effort, just the calyx, sugar and water.
​Have also used the red calyx with some apple as a sauce with pork, ( apple and rosella calyx and a dash of red wine give a tart fruit sauce) Great with chops and with traditional English pork sausages; would also go well with roast pork. Have made an apple and rosella pie and in fact just treated the crop in ways that rhubarb is treated.  The "fruit" can also be made into a sweet syrup used for cocktails or added to sparkling white wine, or as a cordial but at this stage I am happy to use in less sweet recipes. I understand the calyx freezes well and will leave some to dry out on the plant to give seeds for next years plants.

​Max Dingle                                                                                                             April 2018

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12th New Zealand Symposium of Gastronomy 2018 - Call for papers

               New Zealand Symposium of  Gastronomy 

                          and Food History  2018

   Napier, Hawkes Bay           30th November - 2nd December


                                                    Theme: Migrate

The 2018 Symposium will be held in Napier over the first weekend of December.
The formal presentation of papers will begin at 9am on the Saturday and close at 4.30pm on Sunday, in time for flights out of Napier.
An informal meal and Hawkes Bay wine tasting will be held on Friday evening and the annual banquet on the Saturday evening.
The theme is "Migrate", a word that may be interpreted in whatever unique linguistic, etymologic or phonetic manner presenters may desire - it is not intended to be interpreted solely in terms of human migration. We welcome  presentations from amateur story-tellers, gastronomes and academics, on (or off) the theme, and invite others with a passion for food and food history to join us for what is always a damn good weekend.

Napier is a popular venue for food, wine, sport, the arts and architecture. For those intending to come to the Symposium we therefore suggest making your airline and accommodation bookings as soon as possible.
As well as being New Zealand's Art Deco capital, Napier is surrounded by over 200 vineyards and 35 cellar doors where some of New Zealand's best Chardonnay, Syrah and Cabernet blends are produced. Consider arriving early or staying on after the Symposium to visit some of these wineries.

The Symposium venue, The Napier Little Theatre, is at 76 McGrath Street, at the southern end of Marine Parade and within easy walking distance of the Napier CBD.

CALL FOR PAPERS on (or off) the theme of Migrate for the Napier Symposium of Gastronomy. We would be delighted to receive a brief, initial outline of intended papers - no much more than 200 words - to allow us to timetable and structure the symposium programme. Presentations may be between 5 and 20 minutes. On receipt of the outline we will liase with individual speakers to discuss AV requirements, time etc. A formal abstract will not be requested until October before the final programme is printed. REGISTRATION for the Symposium will open at the beginning of August and can be completed online at :

 http://www.aristologist.com/2018-symposium.html


Max Dingle
www.maxdingleart.com                                                                                    July 2018

Friday, February 23, 2018

22nd Symposium of Australian Gastronomy, Parramatta 16 - 19 November 2018



The 22nd Symposium of Australian Gastronomy, 16–19 November 2018.
Female Orphan School, Western Sydney University, Parramatta.

The Symposium of Australian Gastronomy aims to bring together a veritable banquet of specialists, scholars, students and interested independents from all disciplines—history, anthropology, sociology, science and technology, writers, educators, artists, food producers and providors, chefs and industry specialists.
Exploring themes of identity, culture, gender, socio- and geo-politics and economics, craftsmanship, alchemy and environment, each Symposium is characterized by its location and organizing committee. It is the only symposium in Australia devoted solely to the discussion of matters related to food, and in particular, gastronomy.

The Symposium is a ticketed event and all attendees will need to register to attend. Details will be available at http://www.gastronomers.net, where you can subscribe to the mailing list.

The theme for 2018 is OUT OF PLACE

Out of place’ speaks to locale, to the physical characteristics—climate, soil, hydrology, landforms, geology etc.—as well as the cultural, social, economic and political forces that have shaped food production, distribution and consumption at the level of place.

Out of place’ can also relate to ‘not of a place’, to not belonging and to food and foodways that no longer have a place at our tables. Introduced, and perhaps inappropriate species, customs and tastes, or newcomers, foreigners, refugees, ‘misfits’ and marginalised communities, including people who struggle to find their place in society are also ‘out of place’. This interpretation of ‘out of place’ is not however always determinedly negative. Some actively seek to be ‘out of place’, disagreeing with the mores of their society and so valuing out of place-ness and difference.

On one hand ‘out of place’ relates to home and the everyday; to tradition and connection; to foods and practices that are accepted, comforting and comfortable. But the traditional can also be old fashioned, xenophobic, unimaginative, restrictive and predictable. Alternatively, ‘out of place’ can conjure the exotic, the adventurous and challenging, and suggest opportunities, alternatives and possibilities along with thoughts of dislocation and disruption, rebellion, pollution, contamination and discomfort.

Max Dingle                                                                                                          April 2018

Tuesday, February 13, 2018

11th New Zealand Symposium of Gastronomy Dinner at Riccarton House

11th New Zealand Symposium of Gastronomy Dinner
Saturday 25 November 2017 Local / Riccarton House

Max Dingle

Riccarton House, set in magnificent gardens and bordered by the River Avon and built in three stages, 1856, 1874 and 1910, was the setting for the 11th Symposium dinner. The in-house restaurant is headed by Sam Marchant who also runs a regular Farmers Market held in the grounds of Riccarton House, which is the source of fresh produce used in the restaurant, hence the name Local.

The menu for the evening was inspired by Colonial Everyday Cookery (1907), the inspiration ranging from 2 different recipes being combined in both the soup course and the terrine to the pickled pork recipe for the main and "Mother's pudding" as dessert.
Riccarton House foyer

Symposiasts, gathering in the oak lined foyer, continued the discussions, debates and idle chat of the day with a glass of sparkling wine and hor d'oeuvres, before attending the Drawing Room and a brief history of the house and its current use. The dinner started with Asparagus, spring pea & créme fraiche soup with "Two Thumbs"Oatmeal stout bread. Spring in a bowl and great bread.

Rabbit, Pork Hock & Chicken Liver Terrine

Before the next course someone took on the role of Symposiarch and decided that a glass of sparkling with the hor d'oeuvres and a glass of riesling with the main, was a bit too modest, and taking up Dionysos' advice*, it was arranged that, rather than be unaccompanied the Rabbit, pork hock & chicken liver terrine with pinot poached cherries and sourdough crostini be served with a glass of either Circuit Chardonnay 2016, Black Estate, North Canterbury or The Bone Line White Label Pinot Noir 2016 Waipara Valley

*Greek playwright, Eubulus (c. 375 BC ), had the god of wine, Dionysos, describe proper and improper drinking:
For sensible men I prepare only three kraters: one for health (which they drink first), the second for love and pleasure, and the third for sleep. After the third one is drained, wise men go home.
Dionysos continues: The fourth krater is not mine any more - it belongs to bad behaviour; the fifth is for shouting; the sixth is for rudeness and insults; the seventh is for fights; the eighth is for breaking the furniture; the ninth is for depression; the tenth is for madness and unconsciousness.

Pickled Pork Cutlet

So to the Pickled pork cutlet, piquant cream sauce, pease pudding & baby carrots
and our third glass, either Stoke IPA beer or Crater Rim Riesling, though, through not paying attention during the pour and then forgetting to ask, I am unsure as to whether it was Crater Rim's Waipara Valley or its Canterbury Riesling, various sources have described both as "in the German style", either way a number of people remarked on the initial sweetness on the palette and the dryish finish.
While this dinner could be thought of as a festive celebration, during which, historically, the focus tends to be on meats of various sorts, I personally find the practice of a lot of our restaurants, in Australia and it seems New Zealand, serving large portions of meat and virtually no vegetable, is a bit odd, given the emphasis today on healthy eating and environmental issues. In the case of our meal here, considering the ingredients are all sourced at a Farmers market featuring stall after colourful stall of freshest vegetables, to be served a large slice of terrine with two poached cherries followed by an extremely large pork chop with one baby carrot, one snow pea and one small spinach leaf, seemed to show contempt for fruit and vegetables as anything other than decoration, even with the shared side of Mignonette lettuce leaves.

With our third glass of wine drained, some of our Symposiasts, feeling the strain of a long day, a large and excellent Persian themed lunch and no doubt Dionysos's advice, started a slow but steady movement to home. So the Mothers pudding, vanilla mascarpone, strawberry & port wine jelly, raspberry crumbs did not have a full compliment of diners and the Tea, Coffee with Almond Biscuits, Shortbread with passionfruit icing were passed by nearly all.

Mother's Pudding

A memorable meal even though the execution of the various " Everyday Cookery" inspired courses was not always totally successful. In particular with the main, I felt that a strong caper flavour, presumably the "piquant cream sauce", overwhelmed other strands within the composition but I may be entertaining an old prejudice acquired in the 90's, when, for a brief moment, every restaurant plate seemed to feature a few caper berries.
The central component of the dessert, "Mothers pudding" seemed to misplace an "s" from dessert and was a bit arid; it was not saved by the oasis of vanilla mascarpone. I was later told, at 2nd hand, that the original recipe for "Mother's pudding" consisted of a scant list of ingredients and as we all know, turning a word of mouth recipe to the written can involve some "translation" errors especially in the process of re-converting to an end product. Generating the thought that the recipes were possibly given their only outing for this particular evening.
The owner / chef Sam Marchant, dressed in 'civvies', did make an appearance toward the end of the evening and gave a gracious short talk and in the process explained that because of prior commitments, another chef was in the kitchen.

The evening was enjoyed by all, as is usually the case when sharing with friends and collegues.